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No entry is not even remotely similar to Masti last year or the Hollywood movie The Seven Year Itch seven years, as speculated. The only similarity is that both Masti and speaks of men between the desire to have their share of fun out of wedlock. And since the topic of extramarital affairs is treated with humor in both films, the possibility exists that people can draw parallels.
After clearing up the misunderstanding, let us in the analysis of the state
When the author of several successful laughathons decide directly laughathon expect only the best for themselves. Director Anees Bazmee, who took the Romance [Pyaar Hona HI TO THA] and Thriller [DEEWANGEE] in beauty, in addition to writing several films, David Dhawan, is trying to caper comedy, you go crazy.
In the spirit, no entry fee close to David Dhawan film. The mantra is clear: Decorate the light moments with spices [sex], to shine [fantastic places] and the hip-swinging music. Focus on the gags and punches. Throw logic to the winds. Package a number of stars in the business. Presto! The recipe for a Paisa vasool entertainer is ready.
Bazmee So do not do well? There is marked increase of paisa vasool entertainer? The answer to both questions is "yes." Joyride is no entry that is sure to send the audience into raptures. No entries will also work because they do not pretend to be something that is not. The only thought is to entertain and entrance delivers what it promises.
That said, let's add that when you walk in projection Movieplex Mujhse Shaadi KAROGI, HULCHUL, Maine Pyaar Kyun Kiya, and now there is no entry fee, leave your brains behind, do not use caps reflection on and forgetting what the term "logic" means. If you do not follow the rules, you'll enjoy from beginning to end of entry.
In short, regaled Munnabhai MBBS, Mujhse Shaadi Karogi, HULCHUL, KYAA KOOL HAI HUM and Maine Pyaar Kyun Kiya and viewers also struck gold at the box office. Now add access to this illustrious list!
No subscription is the story of three men:
Kishen [Anil Kapoor] - a married man.
Sunny [Fardeen Khan] - a bachelor.
Prem [Salman Khan] - "married bachelors".
While the faithful Kishen has a suspicious Kaajal [Lara Dutta] and his wife, playboy Prem has a trusting wife Pooja [Esha Deol]. And then it's sunny be wife Sanjana [Celina Jaitley], which is a bit of both.
Produces trouble when he decides to Prem Kishen taste the "forbidden fruit" that likes so much. This "forbidden fruit" is a sultry siren Bobby [Bipasha Basu], a walk through the lives of all of them, which leads to chaos, madness, confusion and crisis.
Who is Bobby, who manages to turn their lives upside down? Surprisingly, everyone has a different answer to this question. Kishen dupes Kaajal into believing that Bobby is Sunny's wife. Sunny tricks Sanjana to believe that Bobby is the wife of Kishen. Then the problems begin!
Comedy is serious business. To make people laugh not only requires the right direction and situations, but the right type of players as well. Their comic timing must be impeccable, or just tell jokes fall flat. No entries at all and therefore it works well!
Although the film defies logic, Anees Bazmee be credited for coming up with a convincing scenario. Everything is well explained from the start, and the reasons why Anil Kapoor convincing cheats on his wife said.
Several sequences stand out in the first hour:
Before Lara suspicious nature in which her maid and then the mall when he sees a car Anil.
The sequence with the astrologer [Razzaq Khan], involving two couples - Anil Salman-Lara and Esha.
"Suicide Point" of Fardeen [cut] sequence.
But it's part of the rock after the home range:
The sequence of marriage together [Fardeen-Celina].
The order in Mauritius Resort. A long sequence, but the most hysterical of the company.
Peak during the "point of suicide," [Cliff] again.
But in terms of writing, there are some details to work out well. Boman Irani track looks completely forced in the narrative. Even the sequence in the second half when it falls on Salman in a hotel just was not necessary.
Moreover, the film could have done better with a score of music. Not that the songs are mediocre, but how they perform the song on his lips, like the comedy sequences in his mind, after the screening is completed. The film can also be done with a little cut in half. Ideally, 10-15 minutes scissors embellish the proceedings.
Directorially, Bazmee shows his versatility, which is not. This is the first time he has dealt with the comedy [film director], and once again it seems that he has entered a new territory. Realization of the comic parts are an important part of society no doubt.
Cinematography [Ashok Mehta] is wonderful. Each picture is a picture postcard quality, which reaffirms the fact that Mehta is the best in the business. Anu Malik is good music. From the perspective of the shot, the title track [choreographer Raju Sundaram] and "Gimme Love" [choreographer Vaibhav Merchant] are distinguished by the picturizations. The dialogue is clever and in tune with the mood of the film.
NO ENTRY has a galaxy of stars, but most notably Salman Khan, Anil Kapoor, Bipasha Basu and Lara Dutta - in that order. Salman is excellent throughout, but his work in the climax which is the graph of the film to record levels. However, there is an important part in the post-interval portions.
If you saw Anil Kapoor in a serious role last week, looks at one of the craziest role ever no record. But despite an excellent performance by looking Anil in almost every frame of film can not please everyone. Bipasha Basu has never been so warm and welcoming. But it is not appearance, but the scores of talent and Bipasha on that front too. Lara Dutta springs a surprise, to address the role of a woman suspected to perfection. It is actually one of the most uninhibited!
Fardeen Khan comes in the form of time after dose, when the story focuses on Anil and Fardeen mostly. And the actress is a strong sense of community order. The same is true for Celina Jaitley, which appeals to only a beginning in the second half. Her skin show 'Ishq Mein "to send the boys drooling. Esha Deol is back in the back seat. The only way to receive the final scene of [Salman regrets for him] and makes full use.
Boman Irani is wasted. Pratima Kazmi part ferocious fit well. Paresh Ganatra, the operational role Bipasha loves Guy is fantastic. Sameera Reddy makes a surprise appearance at the end and seems enticing.
In general, there is no entry for a ride that is bound to click with the masses considerably. Box Office, no entry has everything you need to test a success due to their massive all-star cast and excellent comedy has to offer. Let's have fun!
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